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Epiphany! I was writing today, and a new character came to me. She burst onto the scene of Murder Through an Open Door. In my mind, I envision her a bit like Gillian from Practical Magic, just the way Nicole Kidman plays her in the movie (only with long wavy blonde locks instead of straight red hair). Lil Davis uses Tarot in the same way Pippin uses bibliomancy. You know I just had to buy a deck. Or two. After some research, here’s what I came up with. If you get yourself a deck, let me know! Tarot cards influenced by strong women. I had to buy it! Here’s the product description: Infuse your personal divination practice with spiritual insight and feminist guidance from icons such as Octavia Butler, Shirley Jackson, Gertrude Stein, Joy Harjo and more. • Receive answers to questions about your creative life and spiritual journey, guided by insights from the strong, creative women featured in this deck. • Includes 30 cards featuring prominent female writers and trailblazers as well as 40 symbol cards bearing illustrations of potent spiritual icons to enhance your reading. • Find inspiration from literary heroes, such as Virginia Woolf and Toni Morrison, and discover the wisdom of lesser-known trailblazers, such as Yumiko Kurahashi and Mirabai. • Use the included guidebook as an interpreter to help you interpret the cards based on your specific intentions, the writers’ dominant traits, and the spiritual symbols at play. Anything literary, and I. Am. There! Literary Witches I also went with a basic beginners set so I could learn quickly for Lil Davis’s sake 🙂 Product Description: Original tarot pattern design in 1910 by Pamela Colman Smith under the direction of Arthur Edward Waite. Accept yourself wholeheartedly, get close to your pure soul, and get connected to the whole universe. 78 smooth tarot cards, maintaining enough thickness and sufficient toughness,let you successfully link to the higher self and predict fortune. Spiritual patterns velvet drawstring bag to better protect your tarot card,guidebook make it easier to enter the world of Tarot. Perfect choice for the beginners,fortune-tellers,spiritual director,and collectors of Tarot. A good friend recommended this set, which she’s used for years. It’s The Wild Unknown. She and some artist friends use tarot regularly at their art studio. Who knows, maybe it’ll become a new practice for me, too, just like Pippin’s bibliomancy! Product Description: From the beloved artist-seeker behind The Wild Unknown comes the New York Times bestselling box set of her hit tarot deck and guidebook—together for the first time in a beautifully designed keepsake package. Kim Krans is not only a vanguard of the new tarot movement, but the person who is redefining it for the twenty-first century. For a legion of contemporary seekers, The Wild Unknown is more than a tarot deck; it’s become a resonant guide for people all over the world, inspiring them to share countless images of their readings, tattoos, and art prints from the deck. Each of the seventy-eight cards in Krans’s The Wild Unknown tarot deck is a work of art that explores the mysteries of the natural world and the animal kingdom. Hand drawn in her spare, minimalistic style, the striking images invite deep contemplation. The Wild Unknown guidebook is also an extraordinary cult art object—a hand-lettered and fully illustrated primer that leads readers through shuffling and cutting the tarot, creating spreads, and interpretations of all seventy-eight individual cards. Now, for the first time, Kim’s The Wild Unknown tarot deck and tarot guidebook are available together in one beautiful, high-quality keepsake box set. Newly designed by Kim herself, and including never-before-published material, this boxed set retains the mystery, glamour, and allure that made her original deck a cult sensation, while introducing a whole new audience to its magic.

PROLOGUE “Seanabhean is ea mise anois go bhfuil cos léi insan uaigh is an chos eile ar a bruach.” / “I am an old woman now with one foot in the grave and the other on its edge.” ~Peig Sayer’s opening gambit, 1936 For Pippin Lane Hawthorne, being in her father’s secret study was akin to wrapping herself up in a cashmere blanket on a chilly afternoon. It had become her safe place. It was the room in the big, rambling house where she could forget everything and everyone. Where she could focus on the Lane family curse, picking up where her father, Leo, had left off. She hadn’t gotten very far. Jamie McAdams had tapped into his expertise as a scholar of medieval Irish to translate the writing on the scrap of papyrus they’d found hidden behind the mechanism of a clock hanging on one of the study walls. It had been a stunning discovery. “This is an ancient text. An historical document. A primary source,” he’d said, tracing it back to the first century. Knowing that had gotten them nowhere, and now Pippin sat on a pillow in the center of the small room, a collection of items laid out around her, no closer to an answer. To her left was a hardcover book of poetry by William Butler Yeats that belonged to her father, Leo Hawthorne. Next to that was a goldenrod envelope that held a small plastic sleeve, which in turn held the worn, thick piece of papyrus. On her right side was a miniature carved ship in a bottle cradled in the wood frame where she found her mother’s necklace. She touched the cool metal of the medallion hanging from a silver chain around her neck. She had very few of her parents’ belongings. The books in this room; her father’s notes and maps; and the circular pendant embossed with a Fleur de Lis on one side and two trees and something else indiscernible on the other. The pendant had been terribly tarnished when she first pulled it from its hiding place, but she polished back its shine and hadn’t taken it off since. Next to the maritime art was a transcription she’d done of the family tree her father had created and pinned to a large beige rectangular bulletin board hanging on the back wall of the room. It detailed the Lane family’s ancestry with Artemis and Siobhan Lane, Pippin’s great-great-grandparents at the top. The rest of the family-member’s names cascaded down like an expanding waterfall. Annabel and Edgar Lane. Their children, Lacey and Cassandra. Lacey’s children, Cora and Lily, who lived in Oregon. And Cassie’s kids—Grey and Pippin. Artemis and Siobhan were at the top, and above their names was a single word—Ireland. On the floor directly in front of Pippin was a letter she’d received from her great Aunt Rose. It was written on a pale blue sheet of stationary. Pippin picked it up and reread it for what had to be the hundredth time. My Dearest Peregrin, What an odd coincidence that I should receive a letter from you today, after so many years and across so many miles.  Just yesterday, I was cleaning out a cupboard and discovered your mother’s copy of The Secret Garden.  She loved that book so much. I think she must have read it a dozen times or more.  Her name, with the curlicue “C,” is inscribed on the flyleaf, and I spent moments just tracing it with my finger, remembering your mother’s smile.  I swear the flowers in the garden used to turn their faces to her, because she was brighter even than the sun. But then the book fell to the floor, almost as though it were pushed from my hands, and when the pages fluttered still, I saw the words your mother was trying to give to me: “It was in that strange and sudden way that Mary found out that she had neither father nor mother left; that they had died and been carried away in the night.” It sent a chill down my spine, Peregrine.  A harbinger of death.  But whose?  I do not know.  I was just overwhelmed by a fear for you and for Grey. Please be careful, my dear.  In your letter you mentioned that you found a fragment of a document among your mother’s things.  The letter from Morgan to her soldier, Titus.  I wonder if it is related to the parchment that was tucked in your mother’s book?  It was just a scrap, written in some old language.  But the torn fragment was wrapped in a piece of notebook paper, and it looks like someone–perhaps your mother–had made an effort to translate.   It’s just a handful of words: “Lir,” “pact or contract,” “descendants,” “tribute? offering? sacrifice?”  Life has taught me that there is no such thing as coincidence. Finding your mother’s book, finding the fragment of parchment, and then receiving your letter, out of the blue, the very next day?  It all means something.  The family curse has been quiet for years, since your mother’s death, but I feel that the magic is rumbling to life again.   With deepest love, Your Aunt Rose Pippin donned the pair of white cotton gloves that had been in her father’s desk before she picked up the goldenrod envelope, undid the clasp, and slid out the plastic sleeve protecting the ancient scroll remnant.  She gently removed it from its protective sleeve, holding it for just a moment before replacing it and laying it down in front of her. She wondered if the parchment from her mother’s book was the missing half—two parts of a whole, an entire country apart. She removed her gloves and focused again on all the items laid out before her. There was the common theme of Ireland in all her father’s research: Yeats, her family’s country of origin on her mother’s side, the ancient language on the old papyrus, and the random words written in her father’s hand and in Aunt Rose’s letter: Lir; Tuatha de Danann; Morgan Dubhshláine. She just had to weave it all together. She started with what Jamie had translated from the fragment they discovered, filling in blanks from the missing half. Morgan Dubhshláine wrote to her Roman soldier, Titus, telling him she would wait for him. Pippin recalled what Jamie had told her about the Roman Empire in the first century. They never landed on Hibernia—the Roman name for Ireland, he’d said. The small island country was never conquered. But—and this was an important caveat—recent archaeological discoveries supported the idea that the Romans actually were there between the first and fifth centuries. “Artifacts have been discovered in Leinstar, close to Dublin, and they have unearthed burials on the island of Lambay,” Jamie had said. This meant that what might have been nothing more than a fictional story in her family’s history now had a historical basis. She looked again at the words Tuatha de Danann, written in her father’s hand inside one of his books. Tuatha de Danann were the Gaelic deities in the pre-Christian world of Ireland. Her research had shown her that Lir, mentioned by Aunt Rose, was part of that supernatural race. Part of the Irish mythology. An idea had started to form in her mind. What if Morgan had made some sort of pact with Lir? She couldn’t have known what that promise might really mean. If Pippin believed in magic, which she was beginning to, Morgan may have unwittingly cursed all of her descendants. The Lane women were destined to die during childbirth, and the men would be taken by the sea. It had proved true, generation after generation. Her father had been trying to break the curse. To save his beloved wife, Cassandra. To save Pippin’s mother. But the curse had won. Pippin wrapped her hand around the pendant at her neck again. It had become a touchstone, as much of a comfort to her as being in this room. Pippin gently touched the book cover of Yeats’s poetry. Her bibliomancy, something she was still experimenting with and refining, had led her to a specific poem. The message revealed was titled simply My Descendants. She hadn’t understood at the time, but now she was beginning to. Her understanding felt as fragile as gossamer, though, as if the whole thing would tear apart if she pulled too hard. She held tight to the silky strands of information, trying to weave them together into something more substantial. Morgan Dubhshláine, who Pippin thought must be her oldest known ancestor, had made a deal with the devil—in the form of an Irish sea god. In turn, Lir had cursed Morgan’s descendants, taking payment with their lives. A shiver snaked through Pippin. It was fantastical, yet in the deep crevices of her soul, she knew it was true. And if she didn’t finish what her father started…if she didn’t end the curse—she and her brother, Grey, were destined to suffer the same fate as their ancestors. She jumped at a sharp tap on the sole small window in the room. A bird sat on the outside sill. A crow. She held her breath and waited for a feeling of dread to spread through her. The crow. A harbinger of death. But no darkness came. Only the many strands of her family’s story flopped around in her mind, untethered. Salty Gallagher swung wildly among them. What did he know about her father? About the curse? About her mother? She touched her necklace again, letting the weight of the silver ground her. He hadn’t succeeded in taking it from her. Despite that, he never fully left her mind. She still needed answers from him, but for now he was rotting away at the Dare County Detention Center. Just thinking about him ratcheted up her nerves. Pippin worked to quiet her thrumming heart, turning her thoughts back to the curse. As long as she didn’t get pregnant—not even a remote possibility—and as long as Grey stayed away from the sounds surrounding the island of Devil’s Cove and from any body of water, because the curse didn’t care where in the world you were—they were both safe for the time-being. But she knew fate had a way of catching up to a person. Case in point, their mother, Cassie. She survived childbirth when she and Grey were born, but the curse had taken her at the end of her second pregnancy. No Lane could ever be safe while the curse lived. Pippin scanned her father’s bookshelves. “Which book, Dad?” she muttered. Which of her father’s carefully curated collection held the answers? Her father’s own writing had led her to the Yeats book. “Dad, give me another clue,” she said softly, half hoping a volume would simply fly off the shelf. She held her breath waiting. When she looked at the window again, the crow was gone. *** Chapter 1 A widow’s walk is “derived from the romantic tales of those loyal women who continued to keep watch for a ship that had long gone to the bottom of the coral reef.” ~James A. Michener, Chesapeake On a clear day, the widow’s walk at Sea Captain’s Inn provided a dazzling view east across Roanoke Sound. The Bodie Island Lighthouse sat in the distance, the treacherous waters of the Atlantic beyond. Of course, Bodie Island wasn’t actually an island. Not anymore. Not for more than one hundred and fifty years. Centuries of storms passing through closed the inlets turning the island into a peninsula that was now known as Hatteras Island. Cape Hatteras, the majestic 170 foot brick lighthouse, was barely visible from Devil’s Cove, and then only if you knew where to look. Pippin Lane Hawthorne stood on the widow’s walk staring eastward. Even in the waning evening light, she knew exactly where to find the black-and-white striped structure. It was nothing more than a speck, if even that, but there, nonetheless. She closed her eyes